Friday, November 3, 2017

Esthetic Analysis Checklist for Veneers and Crowns Try-in

Esthetic Analysis Checklist for Veneers and Crowns Try-in
Dr. Mohanad Amasha

(a PDF version of this checklist looks better and is suitable for printing, download it through this link)


Trying in veneers or crowns involves checking multiple functional aspects such as their fitting, marginal adaptation, contact points, occlusion..etc. making it common to overlook the finer esthetic details and proceed to cementation. I have been using this Checklist to provide a systemic approach to an otherwise random process. I think it might be useful to other dental practitioners. Check each point as you proceed or mark your modifications in the specified lines.

  •   Appearance from a distance
Stand at an arms distance from the patient and ask them to smile and talk. The distance will allow you to see the smile as a whole to avoid analyzing teeth separately for now. Look for the size of the teeth in the context of the whole face and any tooth that stands out of what should be a harmonious smile.

  •   Protrusion
The best way to check protrusion is to check the profile at an arms distance. Look for the teeth’s relation and harmony with the lips and face. You can take a photograph and show it to the patient as well.

  •   Shade
Compare the veneers/crown’s shade with any visible natural teeth. For a full smile veneers/crown, look at the smile as a whole and take the patient’s feedback. Don’t forget to compare the shade of each tooth and look for individual discrepancies among them, try-in gel can help you change the value and test out the results before cementation.

  •   Special Characterizations
In addition to the degree of translucency/opacity, look for the internal effects such as the opalescence, internal stains, crack or intensities. Some lab technician may provide excellent internal effect on the anterior 6 teeth but neglect that on the premolar, pay attention to that as well.

  •   Shape
Check each tooth from a close distance, look for its morphology, line angles, incisal edge, cervical bulge and long axis. repeat this examination from the right and the left views.

  •   Texture
Look out for macro and micro texture. Check if the texture is harmonious with any visible natural teeth.

  •   Pink Esthetics
Check if there is any supra-gingival finish lines that resulted from gingival recession or apically located finish line. Additionally, scan for black triangles. Finally, examine the esthetics of the gingival shape and zenith points.


If you found this useful, be sure to check my other dental educative materials available on

Sunday, February 12, 2017

Treatment planning tools (Digital Smile Design)

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Part 2. Treatment planning tools:
There are multiple tools that can aid in the treatment planning process. Among the most important ones are:



  1. Digital Smile Design (DSD):

DSD is a relatively new approach. it works as a reference for the planned treatment, it's mainly used is to understand and visualize the treatment requirements and outcome that might otherwise be overlooked by the dentist, lab technician or patient. It is an excellent communication tool with the patient and lab technician [13].
After making the required clinical and radiographic examinations (restorative, periodontal and occlusal). The DSD process is started by taking multiple digital photographs like a full face at rest position, full face with a wide full smile with teeth apart and a retracted view of teeth apart. After that, it is possible to use specialized DSD applications or simply an image editing or presentation application (examples: Apple Keynote or Microsoft Powerpoint) to:











  1. Align the full face picture with the horizontal plane by marking it with a line that is usually perpendicular to the inter-pupillary line. Additionally, mark a vertical line for the facial midline.
  2. Notice any shifting or canting in the gingival or incisal planes. Next, note if facial midline corresponds to the maxillary and mandibular dental midline. In this case there is a 0.25 - 0.5 mm shift of the dental midline, and canting in the incisal plane.

  3. Calibrate the digital ruler by measuring a specific area on the patient’s mouth or cast (like the length or width of the central incisor). Then, calibrate the digital ruler to give the same reading on the digital photograph. Now you can measure any area in the photo, remember that the measurements are perspective (such as the perceived width of the canine rather than the actual width) and are valid for the calibrated picture only.

  4. Analyze the individual dental dimensions and RED proportions in the frame of the discussed esthetic principles like the location of the incisal edge and gingival zenith and RED proportions…etc. The red cells indicate unfavorable dimensions, affecting the smile esthetics.

  5. Draw an outline of the desired dental morphology, dimensions and RED proportions. It is possible to draw the outline directly or use one’s own library of pre defined shapes of desired teeth morphology. Furthermore, it is possible to fill these outlines with teeth texture to improve the visualization.
  6. Notice how the midline shift and the incisal plane canting as well as the individual teeth dimensions and RED proportions from the previous table are all favorable and the smile is designed accordingly.


If the chosen treatment is orthodontics (recommended): Discuss the expected results with the patient and show the pictures, keeping this smile analysis as a reference for the ongoing treatment goals. On the other hand, if the chosen treatment is prosthodontics: Discuss the results with the patient and lab technician. Once approved, the lab will transfer this 2D blueprint to the 3D dental casts. This should be a reference to the treatment, such as the amount of required gingivectomy or the dimensions of each tooth and their relation to each other [14, 15]
Another new and useful tool that can be used in conjunction with DSD is videotaping a short clip of the patient talking, smiling and at rest from different angles, this is used for evaluating teeth visibility and their relation with the lips, it is also useful a reference for the lab technician while fabricating the ceramic prosthesis and as a record for the patient [3].

2. Composite mock-up:
It is possible to directly place and shape composite. This is done on a dried tooth without bonding to facilitate removal. This method is excellent for communicating directly with the patient. However, it requires certain level of skills from the dentist and is not applicable in cases where heavy preparations are required to visualize the results. Lastly, an impression of the mock-up can be taken as reference [3].

3. Diagnostic wax up:
Diagnostic wax-ups on an articulator provide the closest depiction of the final results, with the ability to test the static and dynamic occlusion before fabricating the final prosthesis. Furthermore, They provide a great opportunity for the dentist, lab technician and patient to familiarize themselves with the case.
It is also possible to take an impression or make a suck down of the wax-up model and try it in-mouth. It is recommend to cut out the buccal part of the silicon index that covers the gingiva to facilitate the removal of the resin during its curing and gain optimal results (Figure 1) (Lazar, 2016). However, certain amount of reduction in some cases is required to fit the impression. Furthermore, it is possible to make modifications directly on the try-in resin followed by an impressions to record any desired modifications [16].
Lastly, it is very useful to use the temporary mock up as a guide for reduction. This is done after placing the approved temporary crowns/veneers on the teeth. Then, the teeth are marked for the depth of the required preparation by the required thickness depending on the treatment conditions, this method guarantees minimal preparation [3]. 

Modified impression of the wax mock up can be used to fabricate chair-side temporary restoration.



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References
  1. MacKenzie, L. Tooth Morphology. [Lecture]. Smile-On Education Support Platform. 2015.
  2. James L Fuller, Gerald E. Denehy, Thomas M. Schulein. Concise dental anatomy and morphology 4th edition. Year Book Medical Pub. 2001.
  3. Gürel, G. The Science and Art of Porcelain Laminate Veneers. Quintessence publishing. 2003.
  4. Kakar, A. Interdisciplinary Treatment- Periodontics [Lecture], Smile-on Education Support Platform. 2016.
  5. Yu-Jen Wu, Yu-Kang, Shay-Min. The Influence of the Distance from the Contact Point to the Crest of Bone on the Presence of the Interproximal Dental Papilla. 2003.
  6. Pascal Magne, PD, Dr Med Dent, German O. Gallucci, DMD and Urs C. Belser,.Anatomic crown width/length ratios of unworn and worn maxillary teeth in white subjects، 2003.
  7. PRESTON, J. The Golden Proportion Revisited. Esthet Restor Dent, 5(6), pp. 247-251. 1993.
  8. Levin,E. Dental Esthetics And The Golden Proportion. The journal of prosthetic dentistry 40 (3), St Louis, Mosby: Academy of Denture Prosthetics and other prosthetic dentistry societies. 1978. pp.244-252 
  9. Hilton, T., Ferracane, J. and Broome, J. Summitt's fundamentals of operative dentistry. 2014. Ch 6, 16.
  10. Vanini, L. Determination and communication of color using the five color dimensions of teeth. Practical Procedures and Aesthetic Dentistry. 2001
  11. Brambilla, G. Advanced Anterior Composite Techniques. [Webinar] Smile-on Education Support Platform. 2015.
  12. Ward, D, Proportional smile design using the recurring esthetic dental(Red) proportion. Dental clinics of North America pp.143-155, Philadelphia: Philadelphia, Pa. : Elsevier Health Sciences Division. 2001.
  13. Coachman, C. Ricci, A. Calamita, M. A Digital Tool for Esthetic Evaluation, Team Communication and Patient Management. 2012.
  14. Coachman C, Van Dooren E, Gürel G, Landsberg CJ, Calamita MA, Bichacho N. Smile Design: from digital treatment planning to clinical reality. In: Cohen, M. Interdisciplinary treatment planning, Vol. II: comprehensive case studies. 2011
  15. Bob Mclelland Esthetic analysis, planning and communication.  [Seminar] Manchester university restorative and aesthetic masters program. 2nd Residential. 2015.
  16. Bob Mclelland. Lab communication and prototype fabrication [Seminar] Manchester university restorative and aesthetic masters program. 2nd Residential. 2015.

Tuesday, January 31, 2017

Dental esthetic principles

Please follow me on my Instagram page to get notified of part 2 of this article, Digital smile design workflow.
Content:
              1. Dental Morphology
                            A. Central Incisors
                            B. Lateral Incisors
                            C. Canines
                            D. Premolars
              2. The Incisal Edge
              3. Gingival Esthetics
              4. Width/Length Ratio
              5. Recurring aesthetic Dental (RED) proportions
              6. Shade and characteristics



1. Dental Morphology:
              A. Central incisors:
This is the most important and dominant tooth because of its location and size. The two incisors are ideally symmetrical. Together, they form the dental midline that should be completely vertical and ideally corresponds with the facial midline [1].
Buccal Aspect. The buccal surface is convex in both mesiodistal and incisogingival directions, the convexity is greater at the cervical third than at incisal third. The three mamolons and lobes form the macro texture of the tooth, consiting of alternating convexities and concavities in the mesiodistal direction [2].
Transition lines are located at the transition between light reflective and deflective zones on the buccal surface, they are esthetically important, manipulating their location changes the perceived tooth width [1, 3].
Mesial and Distal Outline. Both outlines are convex, but the distal is more so. The contact points move gingivally towards the distal, making the incisal embrasures wider towards the distal as well [2].
The incisal outline. The incisal edge is almost flat. The incisal plane should be parallel to the inter-papillary line. And the distal incisal angle is more rounded than the mesial [1].

              B. Lateral Incisors:
The lateral incisors resemble a smaller and rounder version of the central incisors. They have rounder mesial, distal outlines. The incisal edge is also rounder and 0.5 - 1 mm shorter. The tooth has a lower width/height ratio in comparison (Fuller et al, 2001). It is less important that the laterals are symmetrical. In fact, it is asymmetrical in 70% of the patients [1].

              C. Canines:
The crown of the upper canine is seen mainly from its mesial side. Canines are bulky and greatly convex in the mesiodistal direction and they have a smaller Width/Length ratio [2].
The mesial outline (between the contact point and gingiva) is convex and longer than its concave distal outline. Canines have an incisal cusp with two incisal slopes: the shorter mesial slope and the longer distal slope, this usually changes after natural attrition [2].

              D. Premolars:
Premolars are similar to the outline of canines from the buccal perspective, they are shorter and appear smaller because of their posterior location. Depending on the smile width, the second premolar and first molars may also appear in the smile [2,3].
Note: due to the word limit, this section discussed the upper anterior teeth only. Lower anterior teeth morphology are out of the scope of this article.


       2. The Incisal edge:
Esthetic treatment planning should start from determining the location of the incisal edge of the central incisor. And from there, the optimum length of the tooth can be calculated, which ranges between 10.4 to 11.2 mm. This assists in determining the incisal edge location and width/height ratio of the remaining teeth [3].
The location of the incisal edge is influenced by age. Less upper and more lower incisal visibility is seen as we advance in age, this is caused by the effect of aging on lips and normal dental wear. At the age of 20, around 3.5 mm of the upper incisors is shown when at rest position. Furthermore, the amount of teeth visibility during speech and smiling is additionally dictated by patient’s desired self image. In addition, the smile line should correspond to the curve of the lower lip when smiling [3,1].
Furthermore, the letter F places the incisal edge buccolingually between the mucosal and cutaneous parts of the lower lip. Additionally, the letter S brings the mandible forward to correctly pronounce the letter S [1].

      3. Gingival Esthetics:
Healthy gingiva has a stippled appearance, it is a pale pink and does not bleed on probing. On the other hand, inflamed gingiva has a shiny red appearance that bleeds on probing. Before any esthetic treatment is started, the gingival health has to be established to prevent common complications [4].
The gingival margins on the centrals and canines are on the same horizontal level, the lateral is slightly below that by 0.5 - 1 mm. Symmetry between the right and left sides is important especially on the easily compared central incisors [3,4].
The zenith points are the most apical point on the gingival margins, their location is influenced by the root curvature. They influence the perceived long axis of the tooth. As a general rule, they are located slightly distally, with the exception of the centrally positioned zenith point on the lateral incisor [3,1].
The gingival papilla fills the spaces between the teeth. Its partial resorption causes an unpleasant appearance known as the black triangles. The distance between the contact point and crestal bone dictates the presence or absence of the papilla. When this space is 5 mm or less, the papilla was present in 100% of the patients. When it was 6 mm, the papilla was present in 56% of the patients. And when the distance was 7mm, it was present in only 27% of the patients [5].
The need for management of gingival esthetics depends on the level of the upper lips, low lip level conceals the gingiva making its management less important. Gingivectomy or gingivoplasy can be used to correct excessive gingival display or to modify the location of the zenith points, accounting for the biologic width in the process. Additionally, periodontal surgeries like apically positioned flap can restore gingival recession when indicated [3,4].
             

       4. Width/length ratio
This is one of the most important elements to consider. Changing the width or length of a tooth without considering the width/length ratio can cause excessively wide or long teeth. An example of this would be closing anterior spaces of normally proportioned anterior teeth, leading to wide square-shaped teeth [3].
Pascal studied 146 extracted anterior teeth to analyze their average width, length and width/length ratio, he included worn teeth as well. The study’s results are displayed in table 1 [6].



Centrals
Laterals
Canines
Premolars

Unworn
Worn
Unworn
Worn
Unworn
Worn
Unworn
Worn
Width
9.10 - 9.24
7.07 - 7.38
7.90 - 8.06
7.84
Length*
11.69
10.67
9.55
9.34
10.83
9.90
9.33
W/L ratio
78%
73%
73%


Table 1: Mean measurements of anterior teeth by mm.

*: Length was measured from the cementoenamel junction. This can result in longer teeth than what is clinically observed, as CEJ is often covered by gingiva.
 



       5. Recurring Esthetic Dental (RED) Proportions:
I will write briefly about this to avoid re-using materials from the previous assessment.
At the beginning, Levin [8] theorized that the golden proportions (0.628) is found in nature. And that esthetically pleasing smiles have this ratio between the teeth. Meaning that each tooth is %628 of its preceding tooth.
However, subsequent studies have shown that the golden proportions is not a requirement of pleasant smiles. On the contrary, it was found that utilizing this proportion for unsuitable cases can cause an overly dominant central incisors and excessively narrow canines [7].
Instead, it was suggested that pleasant smiles have a Recurring Esthetic Dental (RED) proportion that is constant for each successive tooth. [14]. The RED proportions influences the buccal corridor as well. The buccal corridor is the amount of empty space between the posterior teeth (premolars and molars) and the inner cheek when smiling. In addition to soft tissue influence, higher RED proportions cause more visible posterior teeth which is associated with a wider buccal corridor [1].

       6. Shade and characteristics:
Shade matching is one of the most important and challenging aspects of the esthetic treatment, failure in shade or characteristics hampers otherwise well executed treatments.
Dental clinics should be equipped with color corrected lights (Daylight - 6500K) and a neutrally colored environment for accurate shade matching. It is useful to confirm the selected shade with different lighting conditions. Electronic devices used for shade reading are yet to gain more popularity and reliability [10].
Shade matching is done on a wet tooth at the beginning of the appointment to avoid eye strain and subsequent increased value after tooth dehydration [9].
Shade communication with the lab should be detailed. A high quality close up image with optimum lighting of the tooth and shade tab provides the technician with valuable information. Furthermore, it is possible to accentuate the tooth’s special characterizations by digitally decreasing the value (Brightness) and increasing the contrast of the close up image [11].
Traditional methods for shade matching rely mainly on chroma and value. This has proven to be insufficient. Vanini’s work offers more predicable and detailed approach for shade matching [10].
Vanini’s introduced the 5 dimensional color concept:
  Chromaticity: This is the hue and chroma. 80% of teeth hue are close to the shade A (Vita classic shade guide) which has a red-orange hue.
  Value: Also known as brightness or luminosity. It is noteworthy that young enamel teeth incorporate perikimatas that increase surface light reflection, and subsequently increases value in comparison with older smooth enamel.
  Intensities: they are the milky white opaque spots, Categorized as Stains, Small clouds, Snowflakes or Horizontal.
  Opalescence: it is caused by the translucent enamel at the edges of the tooth. It is categorized as: mamelon-like, split-mamelons, comb-like, window-like and stain-like.
  Characterizations: they are described as: mamelons, bands, margins, stains or cracks. [10]




An illustration demonstrates the esthetic principles combined:



1: Dental midline ideally corresponds to the facial midline and mandibular dental midline.

2: Gingival line: notice the location of the zenith points. The lateral incisor zenith point is located centrally and 0.5 - 1 mm below the line.
3: Incisal plane: notice the location of the incisal edges. The lateral incisor is 0.5 - 1 mm shorter. Notice the corresponding curvature of this line with the lower lip during smiling.
4: Contact points: notice how their gingival location towards distal. Also notice the incisal embrasures increase in size towards distal.
5: Shade and characteristics: In addition to shade value and hue and chroma, teeth have variety of special features that contribute to its appearance, such as the location of the transitions lines, surface macro and micro texture, opalescence or intensities.
6: Width/length ratio: it is around 78% for central incisors and 73% for laterals and canines. Also notice the RED proportions
7: Buccal corridor contributes to the fullness of the smile.





References:

1.    MacKenzie, L. Tooth Morphology. [Lecture]. Smile-On Education Support Platform. 2015.
2.     James L Fuller, Gerald E. Denehy, Thomas M. Schulein. Concise dental anatomy and morphology 4th edition. Year Book Medical Pub. 2001.
3.    Gürel, G. The Science and Art of Porcelain Laminate Veneers. Quintessence publishing. 2003.
4.    Kakar, A. Interdisciplinary Treatment- Periodontics [Lecture], Smile-on Education Support Platform. 2016.
5.    Yu-Jen Wu, Yu-Kang, Shay-Min. The Influence of the Distance from the Contact Point to the Crest of Bone on the Presence of the Interproximal Dental Papilla. 2003.
6.    Pascal Magne, PD, Dr Med Dent, German O. Gallucci, DMD and Urs C. Belser,.Anatomic crown width/length ratios of unworn and worn maxillary teeth in white subjects، 2003.
7.    PRESTON, J. The Golden Proportion Revisited. Esthet Restor Dent, 5(6), pp. 247-251. 1993.
8.     Levin,E. Dental Esthetics And The Golden Proportion. The journal of prosthetic dentistry 40 (3), St Louis, Mosby: Academy of Denture Prosthetics and other prosthetic dentistry societies. 1978. pp.244-252
9.    Hilton, T., Ferracane, J. and Broome, J. Summitt's fundamentals of operative dentistry. 2014. Ch 6, 16.
10. Vanini, L. Determination and communication of color using the five color dimensions of teeth. Practical Procedures and Aesthetic Dentistry. 2001
11. Brambilla, G. Advanced Anterior Composite Techniques. [Webinar] Smile-on Education Support Platform. 2015.